The view from the hotel in San JoseI attended the American Quilt Study Group's annual seminar in San Jose last week, a real treat for quilt historians. It's so much fun to talk to old friends who have the same interests. Most of us have terrific visual memories. We never forget a quilt pattern (although we occasionally forget each other's names). Among the best is Kathy Sullivan from North Carolina, who was quick to identify the inspiration for the "Star Flower" design in the center of our new Juniper and Mistletoe sampler book. She'd seen a photo of a quilt made in a similar pattern, which she'd thought was so quirky that it must have been an original design.
"Festival of Trees" by Karla Menaugh from Juniper & Mistletoe, "Star Flower" in the center
Applique floral from about 1925
"Festival of Trees" by Karla Menaugh from Juniper & Mistletoe, "Star Flower" in the center
Applique floral from about 1925I'd seen another quilt in the design, one in the collection of the International Quilt Festival Collection in Houston. Both are related to a pattern published in Comfort magazine in April, 1923.
Tree of Life Variation (Washington Lily) from the International Quilt Festival Collection
Several years ago I did a newsletter about 20th-century quilt pattern sources and below is a photocopy of a page featuring the original clipping on the lower left, an applique design sent to the magazine by Matilda Miller of Olympia, Washington. It was published as Washington Lily Quilt Design, named for her home state. The magazine advised a color scheme of a dark blue vase, green stems and leaves, pink for the lilies and yellow centers.
Tree of Life Variation (Washington Lily) from the International Quilt Festival CollectionSeveral years ago I did a newsletter about 20th-century quilt pattern sources and below is a photocopy of a page featuring the original clipping on the lower left, an applique design sent to the magazine by Matilda Miller of Olympia, Washington. It was published as Washington Lily Quilt Design, named for her home state. The magazine advised a color scheme of a dark blue vase, green stems and leaves, pink for the lilies and yellow centers.
I took out the vase and changed the "Washington Lily" design a little to make it more like a tree for our "forest of applique".
I would imagine the old quilt with the shrimp-colored sashing once had red sashing and flowers. The blue vase, so similar to the magazine pattern, makes me think the quilt below was inspired by the magazine and made after 1923 when dyes were very unreliable. The unknown maker exercised her creativity in alternating buds with flowers.
Of course--- this quilt might have been the inspiration for the Comfort pattern. Which came first? Chicken or egg? Quilt or quilt pattern?
I would imagine the old quilt with the shrimp-colored sashing once had red sashing and flowers. The blue vase, so similar to the magazine pattern, makes me think the quilt below was inspired by the magazine and made after 1923 when dyes were very unreliable. The unknown maker exercised her creativity in alternating buds with flowers.
Of course--- this quilt might have been the inspiration for the Comfort pattern. Which came first? Chicken or egg? Quilt or quilt pattern?This year I am doing another subscription eMail newsletter. The topic will be Prints, Color & Dyes, with discussions about color such as why and when the reds fade to shrimp pink and the greens to khaki as above. It starts November 8th. Click here for more information about the Quilt Detective for 2009-2010:
And for more about Karla Menaugh's and my sampler book, Juniper & Mistletoe: A Forest of Applique, click here:
Tidak ada komentar:
Posting Komentar