In The Morris Workshop reproduction collection I did for Moda we have six colorways. (Colorways is textile jargon for color palettes.) I gave each a name derived from Morris workshop history. While Fennel Green and Indigo (above) recall colors, the other names come from Morris places and people.
The tan is Hammersmith Tea, a reference to a London neighborhood on the north bank of the Thames that is now home to the William Morris Society and a name which the firm used for carpets. Merton Brown (above) is named for Merton Abbey in a village in Surrey, home to much of the design and textile production.
Red House Brick remembers the Red House in Upton, Bexleyheath, which Morris designed and lived in with his family.
Wardle's Sky Blue recalls Thomas Wardle who was a designer and dyer.
Britain's Textile Society is hosting a conference dedicated to the work of Thomas Wardle September 25-27 timed to coincide with the exhibition: Dye, Print, Stitch: Textiles by Thomas and Elizabeth Wardle at Macclesfield Silk Museum in Cheshire. Click here to read more about the conference:
http://www.textilesociety.org.uk/events/event-details.php?textile-event=102
The Morris prints are so great (No thanks to me---thank the Morris Workshop artists) that simple patchwork is quite effective. Here's one by Linda Frost just using the strips.
Britain's Textile Society is hosting a conference dedicated to the work of Thomas Wardle September 25-27 timed to coincide with the exhibition: Dye, Print, Stitch: Textiles by Thomas and Elizabeth Wardle at Macclesfield Silk Museum in Cheshire. Click here to read more about the conference:
http://www.textilesociety.org.uk/events/event-details.php?textile-event=102
The Morris prints are so great (No thanks to me---thank the Morris Workshop artists) that simple patchwork is quite effective. Here's one by Linda Frost just using the strips.
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