Tampilkan postingan dengan label abolition. Tampilkan semua postingan
Tampilkan postingan dengan label abolition. Tampilkan semua postingan

Jumat, 26 November 2010

Abolitionist Embroidery 2

The last post discussed the imagery in Reed's 19th-century embroidered picture, primarily in the kneeling figure. He also asked about the stars and moon at the top of the piece.
"It occurred to me yesterday that the stars are actually a very common quilt pattern, which I discovered is the 'Ohio Star' pattern, I have since gone on to read about the underground railway quilts, which appears to be widely discredited. I was curious to know if the 'Ohio Star' pattern was commonly used as a symbol of freedom, if these stars do represent the 'Ohio Star' it would at least place this textiles origin in the US. The backwards moon is a mystery and if the stars do represent the 'Ohio Star', then why are there three?"


Eight-pointed stars ARE common quilt patterns, one of the oldest and most popular designs. We see them in quilts from the 1770s and in quilts on design walls today. But rather than the quilt patterns influencing the anonymous embroiderer, we have to assume quilters and embroiderers obtained their imagery from the same traditions.

Eighteenth-century rug

Eight-pointed stars are geometric shorthand that can represent the stars in the skies, flowers, and all manner of natural imagery. They can also represent nothing more than pleasing design. We see them in embroidery, rugs and mosaics going back centuries.



Black work embroidery design


German family record


Embroidery from the U.S.

The North Star did have meaning to the abolitionist movement in the U.S. Fredrick Douglass's newspaper The North Star began publishing in 1847.



The North Star masthead
The artwork in the center pictures a man running towards a bright star in the sky. The symbolism of the name was often discussed in print. Escaping slaves were advised to head for the North Star and freedom in the free states.

The stars in Reed's embroidery may have meant something to the artist, but we should be careful about projecting meaning. Stars are just too common and too universal an idea. The angels with their golden trumpets, on the other hand, remain an easy-to-read symbol.


Pennsylvania German painted tinware

Why three stars? We can imagine that Christian artists considered three a sacred number, relevant to the Trinity. But three is also a balanced composition. Artists throughout history have known how to arrange three objects for effect.


Victorian miniature furniture with three strawberries

Back to the quilt pattern: I looked up the stars in my Encyclopedia of Pieced Quilt Patterns, an index to pattern names and when they were first published. Both star patterns above were published as Ohio Star by Carrie Hall in her 1935 book The Romance of the Patchwork Quilt. I have found no earlier sources than this mid-20th century reference. I have to conclude that 19th-century quiltmakers did not call these stars Ohio Star, so looking for some connection to the underground railroad mythology in Ohio is rather far-fetched.

And what about the moon?
Is it backwards?



Thanks to Reed for sharing the pictures of his treasure. He says he also inherited several American quilts. Lucky guy.







Rabu, 24 November 2010

Abolitionist Embroidery


Reed in England wrote with a few questions about an embroidered piece:
"I recently inherited this unusual textile from my mother, and I was trying to find some information on it. My mother collected folk art, and was originally American, although we moved to Britain in the 1970's. I thought she bought this in Britain and always thought it was British (slavery was abolished in 1833 in Britain)....


It occurred to me yesterday that the stars are actually a very common quilt pattern, which I discovered is the 'Ohio Star' pattern, I have since gone on to read about the underground railway quilts, which appears to be widely discredited. I was curious to know if the 'Ohio Star' pattern was commonly used as a symbol of freedom, if these stars do represent the 'Ohio Star' it would at least place this textiles origin in the US. The backwards moon is a mystery and if the stars do represent the 'Ohio Star'. then why are there three? I would be very interested in your thoughts on this subject."
That's a lot of questions to answer, specially for a person who is sitting there gape-mouthed in front of her computer screen. Gape-mouthed and envious. How come I never inherit any 19th-century abolitionist embroidery?
This is going to have to be a two-part blog. We'll deal with the symbolism of the details next time.


The symbolism of the human figure is far more important. The kneeling black man with shackled hands and feet was the popular image of the late-18th and 19th-century abolitionist movements in Britain and America. Also in the logo are the words: "Am I not a man and a brother?"

In 1787 English potterJosiah Wedgwood created a medallion with the image and shipped some to anti-slavery sympathizers in the United States. The idea of a durable, small ceramic logo was brilliant publicity. Copies of the kneeling slave (and a female equivalent) are found on all manner of manufactured goods on both sides of the Atlantic.

Ceramics

Printed material


And handmade items, particularly needlework

Needlecase in the Manchester (England) Gallery of Craft and Design


Detail of a patch in a quilt by Deborah Coates, Pennsylvania
She may have cut the image from a silk handkerchief.


Embroidery from the collection of Colonial Williamsburg 

Sarah Sedgewick's embroidered
 sampler made to celebrate her own freedom

Embroidery in the Wilberforce House
at the Hull City Museum in Britain
Among other similarities to Reed's piece, the words in the Wilberforce embroidery are the same
 Biblical reference: "Thou, God, seest me"

Reed's embroidered picture
Reed's has two additional lines at the top:
"The Negros Prayer"
"Jesus who makest the meanest s"


Using Google Books to search for the lines I found "The Negro's Prayer" in an 1818 American periodical, the Evangelical Guardian and Review.* The poem begins
Jesus, who maks't the meanest soul
An object of thy care.
Attend to what my heart would speak,
Hear a poor Negro's prayer.
The American printing is probably not the first printing of "The Negro's Prayer." It may be British and older than 1818.

The embroiderer who did Reed's piece at the top apparently had high hopes of stitching at least the poem's initial verse, but never finished the first line. We can all relate. 



Needleprint, the excellent embroidery blog, offers a free download of a counted stitch image of the chained slave. Click here: http://needleprint.blogspot.com/2009/05/free-download-quaker-slavery-motif.html
It would be perfect for a little needlecase to commemorate the 150th anniversary of the American Civil War, an event that begins in January.

See more about antislavery imagery at the Colonial Williamsburg website. Click here:
http://www.history.org/history/teaching/enewsletter/volume2/february04/iotm.cfm   

* The reference for the poem is the Evangelical Guardian and Review, Volume 2, 1818, New York, page 364. Google Books
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